Exotic Touches

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Metalwork artisan Michael Aram introduces three new collections of elegant tableware for Waterford.

Designer Michael Aram crafts intriguing new tableware looks for Waterford.

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Indian motif Jaipur tableware by
Michael Aram for Waterford

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Nature-inspired Garland Romance crystal by Michael Aram for Waterford

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Waterford Wood Grain pitcher by Michael Aram for Waterford

Q: For nearly two decades, your signature designs in metal have been showcased in boutiques around the globe. What enticed you to collaborate with Waterford?
A: Not only is Waterford the world’s most prestigious luxury crystal and dinnerware company, but it is known for its strong sense of teamwork with designers—I worked side by side with everyone from the glass cutters in Ireland to the global C.E.O. Foremost in our minds was the importance of maintaining a clear brand distinction between my own designs and what I’m doing for Waterford. I wanted to stay true to my particular style of work so that people could see me in it.

Q: You’ve had a workshop in India for many years. How have the skills you acquired there affected your design sensibility, particularly with this line?
A: I have a deep love of craft-based design, and I thrived while working with Indian artisans. With Waterford, I learned from the Irish glass cutters and blowers who have been practicing these skills for years. I do my best work when I’m able to fully absorb all aspects of the craft process, including its limitations. It’s only then that I know how far I can push it, producing pieces that are anchored in the particular technique yet conceived from an outsider’s perspective. It was fascinating to see the idea work just as well in Ireland as it did in India.

Q: Each of your three lines is distinctly different. Can you describe the design and influences for each?
A: The Jaipur collection is a tribute to the majestic architecture of India’s colonial period. I’ve referenced the intricate latticework of the period’s famous pierced screens, or jalis, using it in conjunction with the more formal English elements that were infused later on. Garland Romance, in contrast, was inspired by the image of a vine twisting up a classical fluted column—classical beauty touched by nature. The last, Wood Grain, is a refined interpretation of nature that I like to call “modern organic.” It’s urban and sleek but still earthy.

Q: How can a bride use these somewhat nontraditional designs on her table?
A: My work appeals to a bride precisely because it doesn’t look like her mother’s registry yet celebrates the same timeless values: originality, quality and handcraftedness. With strong accents in all three lines, my designs allow a modern woman to express her unique vision for her table and home; the more conventional pieces she registers for will create a lovely backdrop for them.

Q: What is your favorite wedding gift for friends and family?
A: I love gifts with an experiential element. For example, I might take a crystal vase to my favorite florist and have him fill it with beautiful white roses, then hand deliver it to the couple. It’s wonderful to give something that retains the memory of the moment and continues to add to the quality of the couple’s new life together.

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Michael’s Registry Tips:
• Discuss your lifestyle and what elements are important to you both. Perhaps her tastes can define the formal table and his the more casual meals.
• Remember, this should be fun. When else can you go shopping and not have to pay for anything? Focus on choosing items that you can enjoy for a lifetime.
• Celebrate each other’s personal styles and try to find places in the home where you can both express yourselves. Really learn to enjoy your differences as much as you enjoy your similarities.